
Norma Shearer
Biography
From Wikipedia, the free encyclopedia. Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actress, she played sexually liberated women in sophisticated contemporary comedies. Later she appeared in historical and period films. Unlike many of her MGM contemporaries, Shearer's fame declined steeply after retirement. By the time of her death in 1983, she was largely remembered at best for her "noble" roles in The Women, Marie Antoinette, and Romeo and Juliet. Shearer's legacy began to be re-evaluated in the 1990s with the publication of two biographies and the TCM (Turner Classic Movies) and VHS release of her films, many of them unseen since the implementation of the Production Code some sixty years before. Focus shifted to her pre-Code "divorcee" persona, and Shearer was rediscovered as "the exemplar of sophisticated [1930's] woman-hood... exploring love and sex with an honesty that would be considered frank by modern standards". Simultaneously, Shearer's ten-year collaboration with portrait photographer George Hurrell and her lasting contribution to fashion through the designs of Adrian were also recognized. Shearer is widely celebrated by some as one of cinema's feminist pioneers: "the first American film actress to make it chic and acceptable to be single and not a virgin on screen". In March 2008, two of her most famous pre-code films, The Divorcee and A Free Soul, were released on DVD. Description above from the Wikipedia article Norma Shearer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmography

Hollywood, The Dream Life of Lana Turner

Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood

Girl 27

Judy Garland: By Myself

Checking Out: Grand Hotel

Complicated Women

The Kid Stays in the Picture

Sports on the Silver Screen

Joan Crawford: Always the Star

That's Entertainment! III

You're the Top: The Cole Porter Story

The Making of a Legend: Gone with the Wind

Hollywood Out-takes and Rare Footage

That's Entertainment!

Hollywood: The Dream Factory

Twenty Years After

Her Cardboard Lover

We Were Dancing

Escape

A New Romance of Celluloid: The Miracle of Sound

Cavalcade of the Academy Awards

Hollywood: Style Center of the World

The Women

From the Ends of the Earth

Screen Snapshots Series 18, No. 8

Idiot's Delight

Marie Antoinette

Hollywood Goes to Town

Another Romance of Celluloid

The Romance of Celluloid

Romeo and Juliet

Master Will Shakespeare

The Barretts of Wimpole Street

Riptide

Going Hollywood

The Film Parade

Strange Interlude

Smilin' Through

The Christmas Party

Private Lives

We're switching to Hollywood

A Free Soul

The Stolen Jools

Strangers May Kiss

Let Us Be Gay

The Divorcee

Their Own Desire

The Hollywood Revue of 1929

The Last of Mrs. Cheyney

The Trial of Mary Dugan

A Man's Man

A Lady of Chance

The Actress

The Latest from Paris

The Student Prince in Old Heidelberg

After Midnight

The Demi-Bride

Upstage

The Waning Sex

The Devil's Circus

His Secretary

The Tower of Lies

Pretty Ladies

A Slave of Fashion

1925 Studio Tour

The End of the World

The End of the World

Waking Up the Town

Lady of the Night

Excuse Me

He Who Gets Slapped

The Snob

Married Flirts

Broken Barriers

Empty Hands

Broadway After Dark

Blue Water

The Wolf Man

The Trail of the Law

Lucretia Lombard

The Wanters

Pleasure Mad

The Devil's Partner

Man and Wife

A Clouded Name

Channing of the Northwest

The Taming of the Shrewd

The Bootleggers

The Man Who Paid

The Restless Sex

Torchy's Millions

The Stealers

Way Down East

The Flapper
