
Helena Ignez
Biography
Helena Ignez (Salvador, May 23, 1939) is a Brazilian actress and filmmaker. Helena was born in Salvador, Bahia and was attending her second year of law school when she fell in love with theater and decided to study the Dramatic Arts at the Federal University of Bahia. At the time, the Bahian theater scene was breaking with traditional Brazilian theater and experiencing strong influence from the young vanguard. She first appeared on the screen in Glauber Rocha's short film "Pátio". Helena acted in a few films associated with the Cinema Novo movement, such as "A Grande Feira" (1961), "Assalto ao Trem Pagador" (1962), and "O Padre e a Moça" (1966) before playing Janete Jane in O Bandido da Luz Vermelha by Rogério Sganzerla. After this film, she would perform in some most significant films in the Cinema Marginal movement, which directly opposed the critically acclaimed Cinema Novo -- the most remarkable being her role as Ângela Carne e "Osso in A Mulher de Todos" (1969). She also was a financial partner of Rogério Sganzerla and fellow Cinema Marginal filmmaker Júlio Bressane in the short-lived, although prolific, Belair production company. Between 1968 and 1970, Sganzerla and Ignez made almost a dozen films together and were also married and had two children -- one of which would become actress Djin Sganzerla. As a filmmaker, Ignez has directed 7 films, the most notable being "Luz das Trevas" (2010), a sequel to Sganzerla's debut feature "O Bandido da Luz Vermelha" (1968).
Filmography

Trópico de Leão

Not Even God Is As Fair As Your Jeans

Deuses da Peste

A Última Vanguarda

If I'm Here It Is by Mystery

Nelson Carneiro: Knight of Democracy

Helena de Guaratiba

O Mel é Mais Doce Que o Sangue

The Long Voyage of the Yellow Bus

Joy Is the Acid Test

The Mother

The Welles Raft

Nova Pasta, Antigo Baú

Um Documentário Brasileiro

The Good Cinema

Subterrânea

Benjamim Zambraia e o Autopanóptico

Candango: Memoirs from a Festival

Mulher Oceano

Race Antenna

The Lady Who Died in the Trailer

Esse fim de semana vou me dedicar as paredes

Fogo Baixo, Alto Astral

Ensaio Sobre o Fracasso

Natureza Morta

Rio de Topless

Extracts

Flesh

Fakir

In Memoriam: O Roteiro do Gravador

A Mulher da Luz Própria

Memórias do Grupo Opinião

Bring me the Head of Carmen M.

My Calendar Girl

O Desmonte do Monte

Antes do Fim

Inaudito

All Paulos in the World - Paulo José

Febre

Brazilian Cinema in the 20th Century

Venus – Filly the Lesbian Little Fairy

O Cinema Foi à Feira

Ralé: The Lower Depths

Love Film Festival

The End of an Age

Estátua!

Paixão e Virtude

Copacabana, Mon Amour: A Restauração

Ossos

Desculpa, Dona Madama

Ugly, Me?

Poder dos Afetos

Terno

Sinais de Cinza, A Peleja de Olney Contra o Dragão da Maldade

A Balada do Provisório

Mr. Sganzerla: Os Signos da Luz

Light in Darkness: The Return of Red Light Bandit

Avacalha e se Esculhamba

Belair

Hotel Atlântico

A Vermelha Luz do Bandido

Embodiment of Evil

A Bela P...

Meu Mundo em Perigo

Helena Zero

Luz-Lux-Lúcia

A Miss e o Dinossauro

Retrato da Terra

The Sign of Chaos

Glauber Rocha - The Movie, Brazil's Labyrinth

Abry

Reinvenção da Rua

B2

São Jerônimo

Celebração - 100 Anos do Cinema Nacional

Flying Geraldo

Scent of Gardenias

Oswaldianas

Perigo Negro

Anônimo e incomum

It's Not All True

Spray Jet

Mulheres de Cinema

A Man and His Cage

Um Intruso no Paraíso

Memoirs of a Strangler of Blondes

The Hullabaloo Family

No Way, Spider

Carnaval na Lama

Copacabana Mon Amour

Watch Out, Madame

The Monsters of Babaloo

The Woman of Everyone

Baron Olavo, The Horrible

The Red Light Bandit

The Outsiders

Face To Face

O Engano

The Priest and the Girl

Grito da Terra

Assault on the Pay Train

A Grande Feira

O Pátio
